1) What is the tone?

When writing and filming a scene about family, one needs to first decide on the tone. Does the scene match the tone of the rest of your film or does it starkly contrast it? For example, if your film is a rom-com and is generally more upbeat, does it take a dark turn during this family scene? Or does the opposite occur and a darker movie has a nice uplifting and hopeful moment in this setting? If that is the case, then the tone would be more ‘hopeful’ than an outright ‘happy’ tone you may find in a more fun and lighthearted film. Figure out what the scene will contain, what the tone will be, and make sure it doesn’t feel out of place with the rest of your film.

2) Use lighting, filters, and colors

Now that you have a general idea of what the tone will be, you’ll use your camerawork, lighting, and colors to signal to the audience how they should be feeling in this scene. For example, let’s take our earlier example of a film that is a darker or sad story, but contains a hopeful moment within this familial scene. Having it become suddenly brightly colors and filtered akin to a hallmark movie will be too striking a contrast and may take the edge off of the audience too much.

However, having a movie that is mostly gray or darkly colored and then having a scene where we can see a pop of color like a blue wallpaper in the background or a little red stuffed animal in the corner will give the correct impression of the tone. And, if we’re meant to anticipate something bad happening in the scene, darkening the colors or making the colors look off making the characters look paler, using dutch angles, etc. can help alert the audience that this scene will be more disturbing.

3) Individual moments

When writing a scene with a myriad of different familial characters, it’s important that we gain all of the important insights we need to for the plot to move forward. Your film has a time limit so you likely won’t need to dive into every single familial relationship in this scene unless the family is the crux of the whole script. Instead, choose one or two family members or groupings for the audience to see individual conversations between two people. Make sure these conversations are important and give the audience crucial information that will move the plot forward.

For example, perhaps we overhear two family members talking about how silly it is that our protagonist is going to art school, shortly after they complimented and encouraged him to do so. Then, in the next shot, we are shown that he has overheard them. This not only gives us some insight into the protagonist’s family dynamic and how they aren’t always honest with one another, but it also adds to their dilemma over the choices they’re making in their life.

4) Group moments

In addition to little individual moments, you’ll want to create a few moments with the larger group as well. This is where you can give lines to some of the family members that aren’t as crucial to the plot, while also highlighting the family dynamic in a group vs. individually. If you’re writing a familial scene that brews conflict, you could have the group get into a heated fight- highlighting the different relationships at strain within the family. If you’re creating a more picturesque moment, you can have them talk about some part of the protagonist’s past or the family’s past that the viewer will need to be aware of in order to understand the protagonist’s current circumstances.

The post Screenwriting and Filming Familial Scenes appeared first on George Davison Studios.

Coming from the opposite direction is a man, a writer who is on his way to a meeting with a possible publisher for his book. He already spilled coffee on his shirt when he heard the news of the impromptu meeting and he has roughly twenty minutes to get there or he misses his chance. All of this panicky behavior on both sides comes to a head when the two people slam into each other. His phone falls to the ground and her papers fly everywhere. They both bend down to frantically scoop up the papers, apologizing along the way. Then they look up, lock eyes, and pause for a moment.

What we’ve just described is a ‘meet-cute’, one of many stylistic tropes present in a romcom movie. However, it’s not simply the plot and characters that make tropes like these work well in a romcom movie, it’s all of the behind-the-scenes production of the movie.

(Note that while many films featuring these elements fall into the romantic comedy genre, not everyone is needed for a romcom or is used exclusively for the genre.)

GOING OFF-SCRIPT

Part of what makes a romcom work is a tight script. When the dialogue and plot feel natural, people are more invested in the film. Sure, a joke or two might not land, but the majority need to result in laughs for a successful movie. But by the same token, improvisation is not the enemy. Quite a few of the iconic scenes in romantic comedies (and comedies in general) have been because of the actors improving. Encourage your actors to insert their own dialogue or actions. If the improv doesn’t work, just shoot the scene as scripted. Alternatively, do a few improv sessions during rehearsal. It may result in new scenes being created.

LET THERE BE LIGHT

The romantic moments of a romcom are powerful scenes that require expert attention. Lighting can set the mood more than any other aspect of cinematography. Soft, gentle light and focus on the leads can make even a mundane scene have romantic undertones. Don’t be afraid to use multiple sources and filters to get the exact glow needed. The video below by Aperture details how the lighting is set up in various romantic scenes and serves as a good reference.

EDIT LIKE A PRO

What bogs down most disliked romcoms is the editing. Comedy is a genre that’s defined by the editing room. Even subpar jokes can cause laughs if the camera angles and editing are tight and fast-paced. The same goes for romances. Certain lighting, angles, and music can make a ho-hum kiss a monumental declaration of love. For beginners, it might be worth seeking out a professional editor to help during post-production or at least offer a few pointers. Good editing also doesn’t require a high-end, expensive program. Even a basic editing program can get the job done.

IT’S ALL ABOUT THE MOMENT

What’s “The Moment?” It’s the aforementioned big kiss (or its equivalent). This is where directors show their mettle and offer something new. We’ve all seen the standard kiss, but what makes this kiss so special? It’s up to the director to sell the moment. Again, experiment with different angles or lighting. Try zooming or panning around the actors. Encourage them to put their actual emotions into it (provided they’re comfortable with it).

READY FOR MY CLOSEUP

Speaking of “The Moment,” many of the best romcoms use a closeup during the scene to heighten the sense of intimacy and the overall impact. This is the climax of the film, after all- the payoff for seeing the two leads fall in love. However, it works well in other scenarios. If someone’s advances have been rebuffed, a closeup can show us the anguish of the person in love- and the object of affection’s disgust. It’s not ideal to use a closeup for comedic scenes, but when the narrative calls for tension and drama, it’s a solid option.

AWKWARD AND AWESOME

Stilted dialogue and clumsy acting are surefire ways to turn an audience off. However, there’s one exception. The meeting between the two romantic leads should be cute, funny, and maybe just a bit awkward. Because a romcom is so dependent on its comedy, a bumbling first meeting can keep audiences engaged and get them rooting for their inevitable romance. Even if the meeting isn’t somewhat cringe-worthy, it’s still worth putting into the movie. A flashback will work if need be (for example, the characters are childhood friends).

THE OVER-THE-SHOULDER SHOT

Rewatch any romcom from the past few decades. You’ll notice an abundance of over-the-shoulder shots. Not only are they easy to set up and film, but they make a conversation more intimate. You’re able to see the facial expressions of the character speaking while keeping another character in-frame. Body language is somewhat visible as well, giving the scene a sense of realism. It can establish any kind of relationship- hostile, friendly, wary, etc. Don’t go overboard though! Too many shots of a certain kind will result in a repetitive film. Still, it’s a staple of the genre and a good groundwork to build artsier shots from.

KEEPING IT REAL

One of the biggest complaints about romcoms is how formulaic they can become. Seeing the same scenarios play out time and time again makes a genre grounded in realism feel fantastical. Repetition may work in comedy, but not in romance. That’s why using real-life love stories as a basis for your film can prove beneficial. One of the elements that has kept When Harry Met Sally in the spotlight for so long are the interviews spliced throughout the movie. Talk to friends and family about their love stories, and work parts of their journeys into the narrative. Provided they give you permission, of course.

AUDITORY CUES

Has a song ever sparked a certain emotion in you? If the lighting and cinematography just isn’t cutting it, insert some mood-setting music. A classical love song will give a scene the last romantic edge it needs. For funny moments, a modern pop song or a jaunty instrumental will heighten the laughs. Even within the public domain, there are plenty of songs to craft a wonderful soundtrack and enhance the vibe of a certain scene.

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